Yet a little self-righteousness is an acceptable price to pay for the passionate immediacy that permeates Vs. It's less oblique than Ten in its topicality, and sometimes downright dogmatic having the world's ear renders Vedder unable to resist a few simplistic potshots at favorite white-liberal targets. is often Eddie Vedder at his most strident, both lyrically and vocally. You could see that reasoning in their ensuing battle with Ticketmaster, and you could hear it in the record itself. (Ironically, many fans then paid steep prices for import CD singles, a situation the band eventually rectified.) The eccentricities underline Pearl Jam's almost paranoid aversion to charges of hypocrisy or egotism - but it also made sense to use the spotlight for progress. Unsure of how to maintain their rigorous standards of integrity in the face of massive commercial success, the band took refuge in willful obscurity - the title of their second album, Vs., did not appear anywhere in the packaging, and they refused to release any singles or videos. ![]() ![]() Pearl Jam took to superstardom like deer in headlights.
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